Mark Waid drops an F-bomb in a Port-a-John!!

All right, you lot! Its Friday, December 10, 2010, this post ended up a lot longer than planned, and this is The Side.

I really had jack squat for today. I was going to review a bunch of comics, and put up a music video and that's about it. Then sure enough I got hit with a ton of stuff to write about and some news to share. Fortunately, I had time to type it all.

COMIX!!

Let's get the ball rolling with BATGIRL #16. Bryan Q. Miller has really hit his stride with this book. I'm loving Dustin Nguyen on pencils. This book is a ton of fun. Our Steph has been framed for murder and has a pretty hefty amount of the GCPD hunting her. Plenty of action to be had here as the "Grass Before the Scythe" two-parter concludes. This book is one of my "TV sit-com" books. It has fun characters that I like and I look forward to it every month, but it doesn't require me to ponder every last detail of everything. Its light, and you've got to have some light, fun book to read. Otherwise, the grim and gritty overtakes your soul. Nobody wants that.

Moving onto another fun book TINY TITANS/LITTLE ARCHIE AND HIS PALS #3 in which the long standing funny book tradition is up held. If characters from two different companies ever appear in the same book there must be a competition to see which is superior. In this case its Cyborg versus Jughead in burger eating contest! What I'm really digging is that they keep bringing in more characters from the Archie side to play with. last month it was Josie and the Pussycats. This month it's Sabrina the Grade-school Witch! Great stuff from Art Baltazar and Franco. This book is consistently a treat.

The fun doesn't end there! KNIGHT AND SQUIRE #3 was on the stands so Paul Cornell could let us know that England is a very weird place. This go-a-round Britain's Dynamic Duo are up against the clone of King Richard III, who is eeeeeeevil. Obviously there's a battle and the turning point comes with online social media? Its a hoot and half to go along with a bit of knuckle dusting and it seems there's a bit of romance in the works was both Cyril and Beryl seem to have prospective love interests. It adds just the right amount of 'cute' to the weirdness. Although I still need a translation for a good portion of the slang.

Thus ends the light fun as we move onto RED ROBIN #18. I'm giving this book a try because I like Fabian Nicieza. He writes good Tim Drake. He also writes good stories that don't easily break down into black and white/good and evil bits. Done wrong, stories like this end up with the hero being less than heroic, the action seeming forced, and the readers left a bit unsatisfied. Nicieza puts Tim firmly in a bad spot in which he has to take on a friend and ally who he's not to sure about anymore in Red Star. This issue puts up a ton of questions as to who is really the good guy here, and Tim is stuck in the middle trying to make heads or tails of things. Fortunately, this is one of the top detectives in the DCU we're talking about being a written by a very competent journeyman. This is part one of what looks like the beginning of a very good story, so I'm giving it my "read of the week" stamp.

Meanwhile, out in space, R.E.B.E.L.S. #23 wraps up a story about two rookie Green Lanterns getting caught up in Vril Dox's propaganda push and this brings in John Stewart. As GL's go, I like him. You always know where you stand with him. He's got some great scene's with Adam Strange in this issue. Its a very weird issue in that our "heroes" are very nearly the villains of the story. We know Dox is a world class jerk and manipulator, but there's always been a positive spin on his schemes and ploys. People have benefited from them. This time around it was just to push his own agenda, which is completely in character for him, but it was odd reading "his" title and not being in his corner. That said, Bedard handles Green Lanterns very well, so if you're a GL fan and not reading this title, its a good story to introduce you to the book, and hopefully you'll stick around because this book is consistently awesome.

Wrapping up my reads this week is 41 #1 from my buddy Bob Frantz AKA Bobby Fresh and Pablo Peppino AKA ... um... "Peppy"? OK, Peppino doesn't have an AKA yet, but with work like this he'll probably get one soon. The art is pretty sharp, and will no doubt improve as the series continues. This is Frantz's freshman effort as a comic author, and for a freshman effort, this is one hell of an ambitious project. World building with an ensemble cast is a giant pain in the ass. So much can go wrong and turn things into a confusing mess. Frantz side steps a lot of this by giving the reader just enough information about the world of 41 for them to hit the page running and meet the cast. The cast in question are a group of mercenaries in a post-apocalypse world that do what needs doing. We follow team leader Tex Hernandez and his men as they take on a job and meet some nasty resistance along the way. Lots of action, and a fair amount of humor as well. It certainly has the best "F-bomb" I've seen in a while. Knowing Bob is what got me to pick up the book. It being good is what is going to keep me around for issue two.

BUH-BYE... sorta..

Got some breaking news for ya.

December 9th, 2010 – Los Angeles, CA – It is with a heavy heart but also with great warmth and fondness that BOOM! Studios bids adieu to one of its own: effective immediately, Mark Waid is stepping down from the responsibility of Chief Creative Officer at BOOM! Studios. Waid will continue his run on IRREDEEMABLE and INCORRUPTIBLE and his brand new break-out hit collaboration with Stan Lee, THE TRAVELER.

"Mark was key in BOOM!'s transition from a promising upstart to top tier publisher," Ross Richie, the Chief Executive Officer of BOOM! Studios remarked. "Now that we've reached this stage, Mark's made it clear to me that he's ready to take on new challenges. And we wish him the best!"

"I learned a lot in my time at BOOM! about the ever-evolving job of publishing comics in the 21st century, and it’s been an invaluable experience," Waid said. "But now that BOOM! is in a strong place with its best foothold ever in the market, it’s time for me to refocus my energies on writing and on creating. And maybe take one of these ‘vacation’ things that people are always talking about.”

At Comic-Con International in 2007, BOOM! Studios shocked the industry with the appointment of Mark Waid as Editor-in-Chief of BOOM! Studios. After three years as Editor-in-Chief, and writer of some of the bestselling BOOM! Studios titles like IRREDEEMABLE, INCORRUPTIBLE and most recently THE TRAVELER, Waid was promoted to Chief Creative Officer in the summer of 2010. Today, after a little over three years at the company, Waid leaves BOOM! Studios firmly entrenched as one of the top comic book companies in North America.

"Working day-to-day with a creator of Mark's caliber is an experience I'll never forget," said recently-minted Editor-in-Chief Matt Gagnon. "Thankfully, with IRREDEEMABLE, INCORRUPTIBLE, and THE TRAVELER going strong on the stands, I still get the pleasure of working day-in-and-day-out with Mark. He's one of the greats and I wish him the best in the next chapter of his influential career."

"Mark's such a phenomenal talent, but also a phenomenally good sport." Chip Mosher, Marketing Director added. "I'd like to publicly apologize that the tagline 'Mark Waid is Evil' will follow him the rest of his days! While Mark's presence on the BOOM! team will be missed, I look forward to reading what is next on all the BOOM! books he will continue to concentrate on."

While Mark Waid exits the executive team at BOOM! Studios, Waid will continue writing all three of his current BOOM! Studios titles. This December sees the release of IRREDEEMABLE #20 and INCORRUPTIBLE #13, in what continues to be one of the most successful launches of a new series in the past five years in the Direct Market. The success of the single issues for both series have been surpassed only by the massive trade paperback sales, with December also seeing blockbuster pre-orders for IRREDEEMABLE VOL. 5 and INCORRUPTIBLE VOL. 3 TPBs, that will be hitting store shelves later this month. Waid's collaboration with Stan Lee, THE TRAVELER #2, also tearing up the sales charts, hits store shelves later this month.

As much as I joke about Mark Waid, let me be clear: I love the guy. I'm a huge fan of his, and wish him nothing but the best. BOOM! will be in perfectly capable hands and I'm looking forward to seeing what's next for Waid.

TALKING WITH PEOPLE: part 1

Was chatting with the guy behind the counter while getting my tire fixed. He was telling me about his daughter who is a Sargent in the armed force (I forgot to ask which branch), and while trying to instruct her troops that she was training and of course there was one guy who wasn't listening and talking when he shouldn't be. She told the guy repeatedly to stop talking and pay attention. That didn't phase him, but her yelling at him "HEY! SHUT THE @#$% UP!" did.

"When I'm talking, you keep your trap shut and listen to what I have to say! You think you know more than me? You see these ribbons? I got these for being in combat in Iraq! You ain't got squat on your uniform! You're nothing but a @#$%ing slick!"

And at this point, the guy was on the verge of crying. "Y-you can't talk to me like that! I'll tell the First Sargent!"

"FINE! Let's go talk to the First Sargent! On the way, we can stop by the parking lot so I can beat your ass!"

So off they go to the First Sargent who listens to the guy's story and then approaches the woman. "Sargent, did you really threaten to 'beat his ass'."

"Yes sir."

"Why?"

"I'm trying to save his life by teaching him things that'll hopefully keep him from getting killed should he ever see action. He doesn't want to listen so I'll make him listen."

"Keep doing what you're doing, Sargent. Just next time, when you threaten someone, don't do it in front of other people."

Freakin' awesome.

CONVERSATIONS WITH PEOPLE: part 2

"So, how's it goin'?"

"Not bad. How's things up top?"

*Thump*

"OK, as long as the wind isn't blowin'. When the sun's on you its actually kinda comfortable. I actually broke a sweat up there."

*Thump*

"I can't believe how Mikey hangs over the edge to get that metal in like he does."

"Well, its a pretty tall building, so if he falls off I have time to wave at him on his way down."

*Thump*

"Very nice of you."

"Thanks. But really, its not so bad. It could be a lot worse."

"You mean like being stuck in a port-o-shitter with two guys leaning on the door so you can't get out?"

*Thump*

"Exactly."

MUSIC!!

I had Plant on here and then Page. Time for the combo.



Alright, continue on with your Foxtrot and I'll see y'all Sunday.

Waid made Cap a Derivative of Batman

Hey Nonee Nonee, it's Wednesday, July 21, 2010 and in a startling change of pace I'm actually wearing pants as I post this. In another change of pace, I've discontinued the "Pop Quiz" section as one one person has actually answered any of the questions since I started doing them. See? Even an e-troglodyte can e-evolve.

Today's Side is a bit light on news and heavy on my opining and rambling. I'd have gone through more effort to hunt down more news, but I'm working hard to curb the crime spree of a three-year-old who despite knowing you have to pay for things in stores thought it was a good idea to haul ass out of an FYE in the mall with a SUPER FRIENDS DVD before paying.

OK, that may not technically be a "spree" but that's how these things start!

HOWDY MISTER ROGERS

That's some art that's mostly likely going to be the look Captain America sports in the upcoming movie. They look to be going with WWII era heavily and that's fine by me. Should be fun.

BAT-THEORIES

With Bruce Wayne returning there's a lot going on in the Batman comics. For those new to here and that have not been following Batman, Bruce Wayne was trapped in the past after battling Darkseid. Now something has him bouncing through time and we're told that if he gets back to the present very bad things will happen. Here's some of what we know:

* Bruce Wayne traveling through time seems to be allowing him to reclaim different aspects of himself and his memory seems to be starting to come back.

* Wayne is also creating a situation that will allow for himself to become Batman.

* Bruce Wayne was at the end of time.

* The Black Glove is shown to be Bruce Wayne's father Thomas in an origin that isn't possible.

* The Black Glove cursed Bruce and it seemed to come true as his very next case led him straight to Darkseid.

* The events that led to the story in BATMAN #666 featuring Dick Grayson's death and Damien Wayne becoming Batman seem to be coming true.

But there's still a lot we don't know and the pertinent questions seem to be:

* What is the true identity of The Black Glove?

* Is there a connection between The Black Glove and Darkseid?

* What is within Bruce Wayne that is so dangerous?

* What is the Joker's hand in this?

So, what are the possibilities? Well there's a lot, but I've got a few thoughts:

* This could be Darkseid centric. After the war we did not see in FINAL CRISIS the New Gods and the Gods of Apokalypse got bounced backwards in time. The methods of the Black Glove and Darkseid resemble each other in that they want to twist and corrupt that which is good. The Black Glove could be one of Darkseid's agents and the alternate origin could be what he hopes to replace the history we know with. What Bruce could be carrying inside him is an "imprint" of Darkseid which is growing and hoping to be reborn when the time is right.

* This could be Devil centric. Going with the notion that the Black Glove is an incarnation of the Devil and let's assume that he's factored in Darkseid with his curse on Batman's cape and cowl. Perhaps he's trying to manipulate events so that Bruce's time traveling somehow allows a situation in which the impossible origin become possible. Its like time and reality are a slinky bouncing down the stairs. the same events keep circling around each other, but each time just a little more removed from the original loop.

This is of course the conjecture of one nutter that really should get more sleep.

BY THE NUMBERS

Currently I have 41 follower on this blog. That's about 30-some more than expected. This also does not take into account the ones that follow that are not shown, so the actual number may indeed be 42. The number of blogs I currently follow is in the single digits. Over on Google Buzz I have just over 150 followers and i follow just over 50. Twitter is another story. My account there is less than a week old. I follow a dozen folks and am followed by two.

My online time is limited so there's only so much content I can view and mentally process. That's why the number of things I follow is very limited. Looking at some accounts I see that there are people that follow hundreds, sometimes thousands of people, and they have a few hundred followers themselves. This is the I'll follow you if you'll follow me and really this is pointless for anyone who wants to see content. Its fine if all you want to do is sell sell sell. But consider this if you want people to read and appreciate your content: if they follow hundred of thousands of people, there's not way that they are going to pay any attention to your work. It'll be lost in the shuffle.

Between the blog, Twitter and Buzz two of the three bast higher numbers in followers versus following. It just may be possible that I'm doing something right. Don't faint.

CONGRATULATIONS!

Being that I love comics in a way that may be considered unhealthy, I also love it when people who make good comics get their due. So when Mark Waid was shown the door over at DC I was not happy because he makes great comics. I honestly think some powers that be over there saw him as a bit of a threat because Waid could do his job better and the fans knew it. But that's history and Mister Waid has moved on over to Boom. Boom at the time had been struggling a bit. They had good stuff, but it wasn't quite hitting with readers.

Enter Mark Waid: Editor-in-chief. *Cue dramatic music.*

Now just a couple years later the company has won numerous awards and is doing quite well not only with their existing titles, but they have also bought a great line of kids comics to the forefront, which is something that's been sorely lacking. So now he's gotten a promotion to Chief Creative Officer. He'll be expanding the growth of the company in new and exciting ways. So if you haven't checked out what they're up to already, do so and thank me later.

Stepping into his previous position is Matt Gagnon. This was a no-brainer. Gagnon has an eye for talent and isn't afraid to get hands on to make sure the books get out on time. Congratulations to him as well.

CREATING BY DERIVATIVE

Reading a ton of comics does not make one qualified to write one. Certainly it helps in terms of understanding how the pacing works and how the pages break down. The problem is if all you read is one genre, in the case of comic books its most likely superhero, then you'll wind up regurgitating what you've taken in. Chris and I were talking about it last night. The best writers know to draw upon life experience or the life experience of others for their work. They know to look at classic literature to see what in these works have made them stand the test of time.

Same with art. The majority of manga is crap because the artists are under such a tight schedule to produce work that copying is encouraged. That's one of the main reasons for the generally homogeneous look of most manga art. The plots and pretty close to cookie cutter as well. Sure there's a few stand outs, but its very few and good luck finding them.

In creating you most be original and until you find your own voice and style look to others that are stand outs and originals to see what is working for them. This does not mean copying their work. It means examining the ideas and concepts that they are exploring and try to find something in there that resonates with you. But you have to be careful. Just because you think something is brilliant does not mean everyone else thinks so. If you're going to do a piece heavily inspired by Lady Gaga, you need to make sure your audience actually gives a damn about Lady Gaga. It doesn't matter how popular the media thinks she is.

Finding an original voice inside yourself is not easy and you may not have it in you, but its worth looking for.

MUSIC!!

This week I'm listing three of my all time favorite songs. Enjoy.



And that's a wrap for today. I leave with with an asignment. Its Hump Day. Go hump something. Just keep it legal. See ya Friday.

WAID SMASH D-BOX!!!

Its Wednesday, July 14, 2010 and I'm going to the dentist at seven in the morning here. He's the only one I know of that has performed oral surgery while armed. This is good because if things get too hairy he can just put me down.

"Good-bye, ol Nozz."

::BLAM!!::

TERRANCE HOWARD'D?!

What could the The Incredible Hulk and Kitty Pryde from the X-Men possibly have in common? Quite possibly having three different people play them on the big screen. And the song and dance continues as to whether or not Edward Norton will play Bruce Banner in the impending AVENGERS movie. The movie rep states that it wanted an actor that plays better with others, and would fit better with an ensemble cast. It was at that point that Norton and his agent said "WTF?"

I didn't see INCREDIBLE HULK, although I might rent it. I didn't see the older HULK movie with Eric Bana either. I didn't hear much good about either movie and passed on both. That said, I like Edward Norton as an actor. I read the statement from the movie company's rep and it just seems fishy. All other indications pointed towards everyone being excited about the project. Everyone involved creatively seemed to be cool with everything. But it looks like this little snafu is really about money. And if this is indeed the case it was a stupid movie on the movie rep's part to spread some BS around about creative problems. I know there's some unspoken rule about how you're not supposed to say it was because you couldn't pay what this guy wants, but don't go saying you want an actor that would work better with an ensemble when the actor you've drawn into question is Edward Norton.

So now its wait and see time. For all I know this is just a bit of drama stirring to make things more surprising and interesting if Norton appears with the other confirmed cast members at the San Diego Comic-Con.

THERE GOES MY POPCORN

I don't like 3D, but some people do. In fact some people just want to be dumped in the middle of the movie. Of that group some of them just really want to get into it to get a brief respite from things, and a small portion of that group are the type of pathetic bastards that got depression because really life wasn't as beautiful as the world in that AVATAR movie. However sometimes 3D just isn't enough. You don't want to just look like you're in the film, you want to feel like it too. Enter: the D-Box.

D-Box the precursor to X-Box twenty time removed and while it can't play Halo it can make your chair move. Soon it might make your chair move while you play Halo. Its technology that can move the chair you sit in while you're watching something like those theme park rides in which you don't actually go anywhere and while nifty make me nauseous if I'm one there too long. I rode the Spider-man ride at Universal Studios Florida and some of the screens malfunctioned. When the ride came to an end a very pretty redhead asked us riders if all the screens had works. "Mary Jane?" I replied, slightly dizzy. But she put us through to the front of the line to ride the ride again since everything had not worked the first time.

I then needed about a half an hour to recover.

Its like this: I spend about two hours a day driving to and from work. I'm often perched in slightly precarious positions at work and spent more time than I would like in places that I would fall off of if I moved the wrong way. In my off time I don't really want to sit in anything that moves. My couch don't move around a lot. Sure, it reclines, but that's when I want it too, and that enhances my movie watching experience just fine.

Save the dumb gimmicks and just give me good movies.

TOP 10!!

Mark Waid announced this week that he was through reading superhero comics. Why would a guy who writes some of the best superhero comics, and was one of the key writers to drag superheroes out of the 90s muck with his FLASH run say such a thing? Hell, I don't know, but this here is the internet and if we don't know something, there's just one thing to do: make shit up.

The Top 10 reasons why Mark Waid is giving up on reading superhero comics!

10: Moved on to manga.

9: Upset that retro-boot Brainiac 5 doesn't have a proper haircut.

8: BOOM Studios weekly editorial kegger got out of hand and Waid said things he really didn't mean.

7: Spent years making Wally West the best Flash ever only to have it struck down by idiotic fanboy meme.

6: Frustrated that Kid Eternity was kidnapped six months ago and the rest of the Teen Titans STILL haven't noticed.

5: Superman's new power seems to be angst.

4: Decided to wait for the movie.

3: New direction on Wonder Woman is so awful that he fears being anywhere near it will destroy his since of whimsy utterly.

2: Really upset that Gail Simone killed Savant and Creote during Gay Pride Month.

and the number one reason why Mark Waid is done reading superhero comics is...

Three words: Reverse Speed Force.

FANBOY DICTIONARY!

Its time once again for another addition to the Fanboy Dictionary. That's right, yet another translation of what seems to be English when passed through the mind of social ignoramus.

*GRAPHIC NOVEL: n: a work of serious literature that, despite looking like a comic book, is for a mature and sophisticated audience

"It does not matter that WATCHMEN was originally released as twelve floppy issues, its really a graphic novel and the greatest one ever!"

MUSIC!!

Read some weird stuff in a UK magazine called PARANORMAL with fun articles about where Atlantis could be and ghosts. One article was a piece by a guy who had summoned some demons. Gotta watch out for those types!

POP QUIZ!!

1: Who would you like to see playing Bruce Banner if Norton doesn't?

2: What are your thoughts on D-Box?

That's it for today. I'm currently making a sane attempt at using Twitter since that seems to be where some interesting things are happening. You can find me here. See ya!

Here comes trouble!

You've all been warned!

I've seen the man drink. There was Karaoke involved. Not to mention him killing my shot with the waitress. Sure it was ten years ago, BUT I'M STILL BITTER!

Seriously though, congrats to Waid and the BOOM! gang. They do good work.

The DC Universe as a Living Metafictional Entity

Grant Morrison stated that he intended to prove with his series FINAL CRISIS that the DCU is a living thing. He also said he intended to have sex with it, but that's besides the point. So, was Morrison serious about the DCU being a living thing or was it mad ramblings meant to sell books? I believe it's the former. So let's examine the DCU and through it the super hero genre.

The Super hero genre and the DCU in Three Dimensions

Now, it is said of super heroes that the two ends of the spectrum are Superman and Batman and every else is somewhere in between.

Superman<---------all heroes------------="" other="" the="">Batman

There's a bit of a problem here. It's flat. Nobody likes flat fiction. That's its own problem. It's a problem relating to this subject in that nothing exists two-dimensionally. We need a three-dimensional model for this thing to exist properly.

Through this necessity we can examine the super hero genre and the parts that comprise it. The DCU offers prime examples of these three dimensions and through them some insight into the genre.

This diagram is simplistic of course, but it makes for a decent base to move from. Let's go through these dimensions briefly.

Superman represents the science, or more aptly science fiction, in this equation. A being from another planet, and a futuristic one at that. He is also considered one of the most powerful characters in comics. His nickname "The Man of Tomorrow" invokes the image of hero performing fantastic deeds in a world we can barely image, but is getting closer every day.

Wonder Woman is a direct link to mythology with her origins and powers stemming from Greek Myths. This is magic. This is the unexplainable. This it the pool from which the genre sprang from. Superman was not the first super hero. Odysseus, Gilgamesh, Arthur Pendragon, the Monkey King and many other preceded him by centuries. Wonder Woman is the representative of the past.

Batman is the best of humanity. He has taken personal tragedy and used it as a catalyst to transform himself into an ideal. His skills are vast and varied, encompassing multiple physical and academic disciplines. He has taken the lessons of his past, applied them to his constant preparation for the future and thus made himself incredibly formidable in the present.

So we have out three dimensional construct. Time to put it into motion.

Applying the Fourth Dimension

The Fourth Dimension is time. Nothing stays static. We are all moving forward on the timeline. When we are discussing movement in relation to super heroes, there's only one character that exemplifies this:

The Flash moves the genre. We have had the Golden Age, Silver Age and the modern Age of comics. The Flash has been key to each transition. The creation of Barry Allen marked the beginning of the Silver Age. Barry Allen meeting his Golden Age predecessor Jay Garrick introduced the concept of the "Multiverse". The concept of the Multiverse was shelved during the 1985-86 series "Crisis on Infinite Earths" which included the death of Barry Allen. This series also transitioned the genre out of the Silver Age.

With Barry's death, we saw Wally West take up the role. This was the first time a "sidekick" has moved on to permanently graduate up. Wally West as a character was also at the center of DCU moving past the 90s grim and gritty trend. Writer Mark Waid spent the 90s taking Wally West, who was a well written and very unlikable character, and turning him into a model of character development. This was the beginning of a mini Renaissance for the genre which led to Waid and Morrison launching JLA. The exploits of the heroes took on a scope that was usually reserved for major "events", and this was due to amazing writers pushing their way to the forefront. This was made easier by The Flash, courtesy of Mark Waid, paving the road with a red blur and lightning strike.

The Imagination of the Imaginary

Grant Morrison wrote in "Batman R.I.P." that the Fifth Dimension was Imagination. This brings us to a character that can create anything he imagines.

Green Lantern like the Flash has had different characters taking the name. The common element to these characters is that each had a ring that could manifest anything they imagine. What is fun to note here is that the three main characters to take one the role of Green Lantern also represent each of the three dimensions I wrote of earlier. The Golden Age character was Alan Scott, and his ring was powered by magic. In the Silver Age, Hal Jordan received his ring from an alien race. Kyle Rayner took up the role and although he received his ring from the same aliens he brought out a different aspect to the character in that he was an artist. It was his humanity that set him apart from the others.

So, could the Green lantern Rings have a connection to the Fifth Dimension that is home to the likes of Mister Mxyzptlk and Bat-Mite? Well, that's speculation for another time, but the possibility is there. It's fairly evident in the mechanics of the Rings. Previously, when charged, the rings could create nearly anything for twenty-four hours. Currently, it is usage to depletes the charge. Perhaps the rings tap 5th dimensional energy and the process and mechanics of tapping the source has changed.

Speaking of Mxysptlk and Mat-Mite, since the Fifth Dimension is imagination, were they created by characters within the DCU? Did Superman creat Mxyzptlk? Time to move on.

Identify the Vampiric Space God in the line-up, Please.

FINAL CRISIS crystalized the concept of something outside the genre preying upon the genre. The Multiverse changed them and then they changed the Multiverse. The Fouth Wall was broken and we were introduced to the Fifth Wall. We are shown a mechanism containing 52 universes, each containing stories. These stories influenced the Moniters, which in turn had influence in the 52.

The Multiverse or 52 is the in comic representation of the superhero genre. It is something created, which has taken on it's own life and now influences the culture. It nourishes young minds and imaginations, only to have some of those minds grow up to contribute new stories to it. It's a symbiotic relationship. The genre has a will of it's own. It has a voice speaking to us in the gutters of the comic page. It has reached out beyond it's original medium to capture new minds and imaginations.

It grows. It consumes. Yes, it even poops.

The DC Universe is at the heart of the super hero genre, and the DC Universe is alive.

Foiled again... again.

I had a cunning plan to post daily on here for a month. It was an effort to force my brain to try to come up with something interesting to say on a daily basis. After which I would go reclaim my drooling moron status and throw April 2009 in the faces of all who would call me a slothful, brain-dead monkey screaming "HA! YOU HAVE SOMETHING TO SAY EVERY DAY FOR A MONTH!"

Well, it didn't happen yesterday. I got caught up reading the Mark Waid interview over at AICN and by the time I was done I needed to get ready to go to work. I thought, well I'll post something when I get home, but that didn't happen because I was drawing something.

27 days seems to be my limit. Bob Fresh managed to do it for six months. I'm not Bobby Fresh, but who among us is? I considered embracing my inner Bobby Fresh, but that would require me to play Dungeons and Dragons, and dice hate me.

Serious. There's a conspiracy among die throughout the world to never come up with the numbers needed to do what I need them to do. So, while I'm fascinated with the game of Craps, I'm also utterly terrified of it.

So April is an abysmal failure. I shall go weep now.